KIMURA Bin |
 |
WORDS
Music and Time |
1 |
| ISOYAMA Tadashi |
How Did Mozart Use the Wind Instruments?: An Approach to His Beauty-Consciousness |
4 |
| NODAIRA Ichiro |
The Music of Mozart and Its Interpretation |
18 |
| MIYAZAWA Junichi |
Glenn Gould and the Mozart Piano Sonatas: How the Media Begot Interpretive Maturity |
34 |
| * |
| MURAYAMA Isamitsu |
Validity and Limits of the Nature Metaphor: The "Poesie" Concept of the Brothers Grimm and Goethe's Morphology |
58 |
| TSUCHIDA Tomonori |
What an Ambiguous Word "Vulgar" Is Charged With: Paul de Man's Decision |
77 |
| Paul DE MAN |
Four Newspaper Articles during the German Occupation |
94 |
| * |
NOBUTOMO Kenji |
BOOK REVIEWS
Primal Word, Primal Lie: Nicolas Abraham et Maria Torok, Cryptonymie |
52 |
| NAKAMURA Takafumi |
|
American Constitution and Democracy in Sheldon Wolin and Robert Dahl : Sheldon S. Wolin, The Presence of the Past
Robert A. Dahl, How Democratic Is the American Constitution? |
108 |
| ARIMA Manabu |
|
Diversification and Simplification of the Viewpoint on War : The Asia Pacific War (Iwanami Lecture Series), 8 vols. |
124 |